Since the 1920s, the influx of Western journalists into China has been like crucian carp crossing the river, but as far as the social status at that time is concerned, no one can expect Aban to match it. Aban is naturally competitive and can't compete for emergencies in the front line, but his real advantage lies in his extensive upper-level relations. The top level of the Chinese government and the top level of Japan, the United States, Britain, the Soviet Union and other countries in China are full of his personal friends. At the beginning, the national government wanted to expel him from the country, but later, all four families took him as their guest of honor. Japan attaches more importance to the fact that the top leaders of various factions and departments in civil and military affairs are eager to break through his threshold. The Soviet Union was also interesting. While setting off a wave of criticism of Aban, it sent an ambassador to talk with him in secret and entrusted him with conveying high-level meanings. As for the United States and Britain, it goes without saying. The importance of Aban lies in the fact that his role has completely gone beyond that of a mere reporter. To the U.S. Government, he is an unpaid senior intelligence agent, providing top secret information free of charge, weighing more than any official spy. To the rest of the governments, he is a supernumerary U.S. Diplomat, and his role is often beyond the reach of U.S. Ambassadors. Therefore, between Japan and the United States, between China and the United States, and between the United States and the United States, he has to send messages frequently. As for the infighting among various countries, they should also reveal their secrets to him so that they can be published in the New York Times and confuse each other. For example, before Japan officially joined the Axis, because of the confrontation between the two factions at the highest level, some people secretly told each other the news, which made him get a global super scoop for no reason. All this, of course, depends on the golden signboard of the New York Times and its inexhaustible resources.
雅兰（李素妍饰）从小失去了父母过着不幸的生活，她意外得知父母不是因为事故而是被他人杀害而死。为了报仇，在缜密的计划下和害死自己父母仇家的儿子贤宇（韩尚金饰）结了婚。贤宇知道了雅兰的秘密，却因为交通事故而成了植物人。恢复意识的贤宇透过整形、改头换面成了另外一个人（裴秀彬饰演），展展了对妻子的报复......
陶苏容貌才艺在这六人中虽仅是中等，但决选表现实在令人满意，既温柔依人，又有担待，这担待还出奇地讨喜，千挑万选之下，这样的媳妇汪滶也是深觉捡了块大宝，千金姬年年有，这样的媳妇却是可遇不可求的。
Je是一个一直很幸运的女孩，而Not却很不幸。 这两个晚上，彼此相遇，倒霉。 Je对这个解决方案感到不满，因此她打算找回自己的运气。
两代人的观念分歧，在怪物的世界中也不例外……
……一行人雄赳赳前来，败兴而去。
本剧讲述的是，孙家拥有一对绝世之宝——“春秋虎符”，文革中造反派头目张子清逼迫孙启明父亲交出虎符，孙家父亲悲愤而亡。造反派为虎符相互武斗，一个深夜，张子清捂着流血的肚子来到孙启明家，把一只虎符交还孙启明，告之另一只虎符被他人抢走，尔后死亡。上世纪未，失踪的虎符在国外被一位爱国华侨重金购得，令孙启明悲喜交加。瀚海拍卖行女老板张希说服海外华侨，让流失海外的文物回到祖国。此时有关这对虎符的故事在民间不胫而走。一起文物盗窃案就此展开。
船主。
本剧的风格是一部兼具理想色彩与现实磨难的轻喜剧。主人翁何不鸣是一位县级文化馆的职员，憨厚、孝顺、淡泊，主要负责不被别人重视的老年朗诵班。故事开始，瘫痪了十几年的老父即将离去，为满足父亲看一眼未来儿媳妇的心愿，何不鸣一相情愿地逼迫单位同事会计夏羽为其解围，结果后来的发展居然弄假成真，这位冰山美人竟嫁给了他；因家中丧事交不上单位集资款，却在集资款被骗事件中躲过一劫；文化馆面临财务危机，他个人行将下岗之际，却被别人稀里糊涂推上了代理馆长的位置；文化馆山穷水尽，竟然有神秘之人指定为这位代理馆长投资十万元；当众人都要求用十万元解决集资款被骗危机时，他居然独断专行用来修理了馆内支撑了多年的一面危墙，却得到投资人赞赏并许诺给予更多投资；众人欢呼之时，他又果断放弃巨额馈赠，宁愿下岗，以坚守自己的人生信条--诚信。生活艰难，重金诱惑，却无论如何不卖房：父亲为了信用，院子里的两间房锁了五十年，到了他和哥哥这一代，非要守到云开日出……文化馆暂时歇业了，老年朗诵班却还在，何不鸣与他们有共鸣，对他们有承诺，这是老
改编自亚历山大·仲马的原作小说《基督山伯爵》。讲述了主任饰演的主人公柴门暖因为冤罪入狱被关在异国的监狱里15年，意外的从狱中逃跑后成功复仇的故事。
随着两人更深一步的接触，与同学好友父母之间的来往，相互之间暗戳戳的试探，他们内心最真实的想法，最终因为各种感情的激烈碰撞而展现在了面前。
郑老太太欢喜地看着她道：听说你晌午没吃饭？唉，你说你这娃儿。
徐文长放下茶杯寻思片刻：读书拜孔孟是学圣贤，出海信妈祖是佑平安，砍人敬关公是表义气，货郎奉财神是求财路，如今我等一兴商财海陆，二举武事卫国，按你话说该是把财神妈祖关公摆一起供着了？这样太乱，我们需要的‘道必须简单纯粹一些，放之四海内皆准的‘道。
亨利和弗雷迪是一对双胞胎兄弟,在他们还是婴儿的时候,因为意外失散了,而且他们也根本就不知道对方.亨利被一个非常诚实老实的人收养了,而弗雷迪却变成了一个匪徒.亨利是个非常腼腆的人,而且带有轻微的精神问题.可是随后,这对双胞胎的身份被揭开,原来他们是一个欧洲贵族家庭的孩子,而此时给他们留下一大笔的遗产……
再说，连我都不护着你们，为了磨练你们，把许多事儿让你们去干，我倒去护着旁人家的娃儿。
反正银子也是由这几户人家出，羊毛出在羊身上。
楠乡高中要女篮队挑战甲组八强来刺激招生，特别找了曾是国中甲组MVP的罗佩真返乡打球，以为可以一展身手的罗佩真却与队长王瑄处处不合，王不见王，加上南下来移地训练的甲组强队新北女高对王瑄的冷嘲热讽，认为楠乡想打甲组，不过就是靠一个罗佩真而已，两人的衝突来到高点。
