For example, the above is only a simple literal quantity structure. All member variables above are accessed through Singleton, but it is not a single mode. Because the monomer pattern has a more important feature, that is, it can be instantiated only once. The above is only a class that cannot be instantiated, so it is not a monomer pattern. Object literal quantity is one of the methods used to create a single pattern;
清末，钟氏茂丰黄酒一枝独秀成为酒业龙头。百年后烽火狼烟起，钟家无法继续经营，将酒坊就转手给了季家，并为子孙定下了亲上加亲的婚事。为了约定，也为了找到钟家遗失多年的祖传黄酒方，季家独孙季绍奇与没落的钟家孤女钟佳瑶订婚，而行业内有很多人等着看钟家后人的笑话。订婚当天，季绍奇迟迟不来，钟佳瑶昏昏欲睡，做了一个奇幻的梦，在这庄周梦蝶般的梦里，她仿佛与钟家家史中有名的曾祖奶奶钟瑶灵魂互换，钟瑶因缘际会成为钟佳瑶，经历了一次现代爱恨之旅。
他慢慢沉下心，陷入空灵境界。
且说眼下，吆喝了一阵，众人便排起队来。
这或许便是所谓的百足之虫死而不僵，瘦死的骆驼比马大的缘故吧。
影片根据前美国第一夫人杰奎琳·肯尼迪的真实故事创作。讲述第一夫人杰奎琳面对丧夫之痛时，依然保持冷静睿智，与蠢蠢欲动的政治对手周旋的故事。
何永强奋力冲路人们吼道：快去官府。
苏岸等人已经听了出来，原来是玉夫人出现在番邑，确实是个巨大的好消息。
《不完美的她》以独立女性为视角，讲述了林绪之凭借心中的爱与光亮，在黑暗中寻找光明，守护希望，温暖治愈、感动人心的女性“自我救赎”的故事。
四人坐在桌前，说说笑笑，很快一顿饭就结束了。
女子带着一批不为人知的杰作走进一家纽约画廊，由此开始了一个关于艺术圈的贪婪与恣意，以及一场惊天骗局的故事。
In addition to the traditional cowhide belt, there is also a magic belt with stepless speed change.
Red heart drinking is a life-saving skill and must be brought with it. Wanfu Mo Enemy is a injury-reducing skill and must be brought with it.
Mary used "dead and alive" to describe her state. Just like metabolism, she hopes that the regular self can die part of it, while the repressed natural self can slowly recover.
《2017变形计》是由芒果TV独家自制的纪实类栏目，禀承湖南卫视《变形计》“换位思考”这一理念，而且更推至极致，在节目中，你不仅要站在对方立场去设想和理解对方，你还要去过对方的生活，真正体验对方世界的大小风云，品察对方思想最微妙的情绪触动。
三人必须共同打击犯罪，同时打击鲁宾犯罪，必须与街头犯罪者、克罗基德政治家、保加利亚王子、精神领袖、音乐厅明星和象形人合作。
除了经典二维动画之外，喜羊羊将迎来全新3D趣萌升级，推出核心受众为3-6岁的趣味益智系列《羊羊趣冒险》，故事讲述的是缩小后的小羊们进入了微观世界，发现原来看似不起眼的角落也隐藏着一个神秘的大世界，创作团队为羊狼们精心设计了巧妙的神奇装备，这些神奇装备可以召唤出酷炫的极速战车。每一辆战车也会有自己的“个性”和独特的超能功能，可以帮助羊狼们在妙趣横生的微观世界中，完成众多“不可能”任务，用他们迷你的小身材，帮助小伙伴们解决“大”麻烦。通过有新奇有趣的冒险故事，用健康绿色的动画，寓教于乐地启发孩子的好奇心。快乐成长。
The reporter stations of the New York Times in all parts of China (including Hong Kong) are under the control of the chief reporter of the Shanghai Branch in China, regardless of finance, personnel and reporting services. Aban has been the chief reporter in China for 12 years since 1929. The positions of editor-in-chief and publisher of the New York Times have been changed one after another, but his position is as stable as Mount Tai, because his business is exquisite and comprehensive, and it is difficult to replace him at will. In 1940, Aban finally left China, but instead of being transferred back by the headquarters, he was unable to hold back the Japanese's repeated attempts to physically destroy him, so that US Asian Fleet Commander Hart could not see him and forced him to avoid him.
