The use of continuous affirmation method requires salesmen to have accurate judgment and agile thinking ability. Each question should be carefully considered, and special attention should be paid to the structure of the dialogue between the two sides, so that customers can give positive answers along the intentions of the salesmen.
Chateau La Tour Carnet is one of the few real "castle" manors in Medoc because it is actually a castle. Chateau La Tour Carnet was originally called Saint Laurent Castle, but later in the 15th century, the leader of the Carnet region, a noble with a prominent life experience, moved into the castle and changed the castle to its current name.
嘉靖眯眼道，想说什么便说什么，朕恕你无罪。
该剧讲述了一对没车、没房、没孩子的80后夫妻在结婚受阻、找工作受挫、养孩子无助等一系列问题令他们手足无措，幸而有哥哥、嫂子和母亲等家人的帮助，让幼稚的大孩子变成了有担当的成人的故事。
Evacuation passageway
/taunt
众位臣子都端起酒杯，笑道：恭喜成安君。
张红星在一家小广告公司做创意总监。前妻陈晓玲为了再婚，将女儿送回张红星身边，由于他头脑活络，为人又与世无争，所以日子稳定而安逸。林凤英见儿子老大不小了，想尽办法为儿子找媳妇。关美洋是个职业猎头，她要挖张红星去一家大公司。张红星不愿意接受挑战和压力，而关美洋却是个不达目的决不罢休的人。给张红星添乱的事情接踵而至，张红星拉来关美洋装做自己的女朋友，关美洋趁机要张红星接受了跳槽的条件。来到新公司，上司朱桂香是个职业女性，为人苛刻严厉，和随意惯了的张红星摩擦不断。张红星与媒介部主管温丽丽又卷入了职场斗争中。总公司派来了人力资源女顾问，干练专制，要把张红星踢出公司，张红星腹背受挫。在关美洋的帮助下，张红星在新公司站住了脚，他和关美洋在这期间也萌生了爱意。
"Base Version"
中国版《苏菲日记》取材于八零至九零后的“Y一代”年轻人的真实生活，从大学校园到初涉职场，从懵懂的恋爱到青春的反叛，中国Y一代正在经历、体验的生活情境将毫无遗漏地展现于此剧中。经过前期网络投票的人气拼杀，最终“兔子牙”凭借自己清纯的外表，自然不做作的气质，与“苏菲”贴近的性格形象，获得网友、嘉宾、片方三方认可，幸运出演“苏菲”一角。
Description:
表面上，贺言是一个游手好闲吊儿郎当的男人，但实际上，他的内心里一直留存着游戏制作人的梦想。在了解到了贺言的梦想后，朵朵对他刮目相看。一场意外中，贺言坠楼双腿无法行走，陷入了人生的低谷，是朵朵不离不弃的陪伴在他的身边，鼓励他重新振作起来。
Weightlifting shoes:
日本畅销诗人最果夕日的诗歌集《夜空总有最大密度的蓝色》，确定由导演石井裕也拍摄成电影。演员石桥凌与原田美枝子的二女儿石桥静河担任主演。
最果夕日1986年出生于日本神户，2006年荣获现代诗手贴奖，她的诗词简单易懂并且很有透明感的造句广受年轻人欢迎，2014年刊登的《给死亡系的我们》斩获现代诗花椿奖。其诗歌集销量达到3000册，是总销量1.8万册的畅销诗人。
今年5月最果夕日发表的《夜空总有最大密度的蓝色》同样大热，电影制片方建议给石井裕也导演。据悉导演看了40多篇诗集后有了灵感，总是感觉漂浮着的护士美香，邂逅了丧失左眼视力的短工慎二。他们在排外的东京摸索生活着一面谈恋爱。
在片中饰演女一号美香的，就是出身演艺世家的石桥静河。她四岁开始学习古典芭蕾，初三开始到美国波士顿、加拿大卡尔加里上学。学成归国后投身现代舞，前年秋季被推荐给现在的经纪公司，并被工作人员询问有没有兴趣演戏，于是决定转行做女演员。去年秋季演出了舞台剧《银河铁道之夜》首次踏足这一行并担任主演。
10月8日上映的电影《少女》里也有石桥静河的身影，今年以来演出了一些广告，随着曝光率越来越受到瞩目。而对于此次首次主演的电影，她表示：“说真的觉得好恐怖，但是也非常期待。在读剧本的时候，发现了以往未曾见识过的景色，这个故事并没有特别重大的事情也没有特别让人印象深刻的地方，就如同微风一样静静地抚慰着心灵。”
片中美香的设定比石桥静河本人大了四岁，她说：“能产生共鸣的部分很少，但是读着读着读出了感情来，很明白那种感觉。”石桥静河的父母从小就教导她对喜欢的事情要全力以赴，她表示：“作为表现着很让人尊敬。我也要按照自己的心意开足马力前进。影片预计9月上旬开机，石桥静河表示对去片场充满了期待，不知道自己能发现些什么。
慎二则由时下当红的男星池松壮亮饰演，导演石井裕也表示：“这是属于现代日本的恋爱电影，受到了最果夕日的刺激，把这种感觉彻底地投射到了剧本里。跟石桥静河见面的时候，立刻就感觉到她拥有别人没有的才能。而池松壮亮也是非常棒的演员。希望这部电影能很好地展现两人的魅力。”
影片《夜空总有最大密度的蓝色》预定明年春季上映。
该剧根据真实的历史事件编写而成，讲述了雾都解放前夕，国民党准备在撤离大陆之前炸毁雾都的兵工厂和重要基础设施，表现了国共两党的殊死较量和尖峰对决的故事。
冬日，冷风飘雪。 李杰抑郁自杀，因为妻子李淑芬出轨。李淑芬带着女儿李秋桐继父酗酒无度，常常打骂李淑芬妻女两人。终于，继父将魔爪伸向了年幼的李秋桐。 李淑芬终于发现了实事，打算杀掉继父。然而，李淑芬最终因为杀人未遂，被捕入狱。看似偶然的到来，背后却是一场精心的布局。李秋桐被狱警白百灵收养，似乎一切都 远离了恶魔的控制。 然而，继父还是找到了李秋桐。想要继续这不论的关系。李秋桐会答应这恶魔吗? 狱警白百灵又作何反应? 入狱的李淑芬如何反击? 暗无天日的生活中，李秋 桐如何才能抓住“阳光”?
The two long voices were followed by a short one, indicating that "our ship is trying to overtake your starboard side";
In addition to news reports, Aban wrote a lot in his life. The first book is "Suffering China" published in 1930, and the last book is "Half Slave, Half Free: This Fragmented World" published in 1950, with 11 kinds. Among them, I have to mention the Biography of Hua Er published in 1947, which has long been translated by Mr. Yong Jiayuan and included in the Translation Series of the History of the Taiping Heavenly Kingdom published by Zhonghua Book Company in 1985. Because it is not widely circulated, few people may know it. Otherwise, the works written by the Foreign Gun Team and Walter in recent years should not be so irresponsible and astonishing. Aban dropped out of school halfway and has not received any historical training since then. He is usually busy with interviews and does not want to cure history. He is cautious and profound, which is far beyond the level of ordinary historical amateurs. After Walter died in Ningbo, only a handful of his works have been studied in the world. None of them were written by Chinese. Fortunately, with Aban's Biography of Walter, this period of history is full of flesh and blood. The writing process of this book has also gone through ups and downs. After the book was finished, the only manuscript had not yet been sent to the publishing house in New York, which was convenient for the Japanese gendarmes to break into the house and rob it in 1940. Ten months of efforts were destroyed. The evil deeds of the Japanese delayed the publication of the book for seven years, and also caused Abando to suffer from writing again. This passage is described in detail in this book, and the background is explained here.
