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"Because the artillery suddenly 'dumb fire', Later, it was said that it was the same as position 169, because the ammunition consumption was too large and too many shots would be supplied for a while. It was not wrong to say so, because at the peak of the attack, the number of the two strange things released by the Vietnamese army below was too large to count. Have you ever seen ants crossing the river? That's what it feels like, If they are piled together, The density is almost a "ball", So in this case, The firepower of the artillery group is especially strong, Ammunition consumption far exceeded previous expectations, After all, no one expected to meet such a thing at that time, We didn't know how to describe it when we sent back messages on walkie-talkies at the front line. Anyway, it just said that the number of enemies was very large. Hit them hard, It was also the most intensive shelling I have ever seen. In the blink of an eye, It is normal to drop 4-6 shells on an area of about one square meter or even at the same time. The entire position 142 trembled under the shelling, At last, I felt that the ground under my feet would be overturned. Now think about it. If it weren't for the artillery comrades' hard support for us, the dozen or so people and the guys in our hands at that time could not withstand the attack of so many strange things. If they were called to rush up, they would have to tear us up and chew us up.果然。   位于热带雨林部落中的岛屿原住民妇女、与来自马来半岛的时尚设计师，如何因为当地水库建设计画而有了连结？出生于婆罗洲的导演吴康豪（Nova Goh）在2014年于故乡土地健行途中，遇见了森邦村（Kampung Semban）的比达友族（Bidayuh）铜环妇女，决心透过镜头纪录受到现代化衝击下仅存的铜环妇女以及铜环文化。      导演吴康豪（Nova Goh）如何以砂拉越人的角度来看待现代化公共建设与原住民文化消失的衝突？本片主要讲述了自我与他者、传统与现代、东马与西马、岛屿与大陆等多重二元对立视角，更隐含著来自传统文化在面临现代化历程下，除了成为「被凝视的他者」，更可选择藉由「当代艺术」与「时尚创作」等现代化工具，再次塑造自我认同与族群意识的凝聚。二院内，红椒山芋等人戴着风帽正玩闹。外层空间的不明飞行物体将降落地球，专家们正在搜寻飞碟的降落地点。此时，一名电力公司的电线工人李察德瑞佛斯，在户外检查电力问题时， 竟发觉自己受到天空中异光的包围，从此他的心中就不停的出现怪异的景像、与5个奇怪的音符，为了解开这个不可思议的谜 ，他像着了魔一样，亲自与外星人作了第一次面对面的接触，并展开了一段外层空间之旅。郑氏便拉着她手往外走，一边道：你别总说些没用的。